Sunday, October 7, 2012

... The Return



In the words of the great Rakim… It’s been a long time. I shouldn’t have left you…

It’s been a little more than seven months since I last wrote an article. I’d say that’s quite enough of a hiatus. It’s time to dust off this site and blow some new life into this idea. I think the exploration of music and its impact on our lives and the important aspect of the ability we have to transform our lives personally, and our existence collectively, is something that is worthy of continuing. I hope you agree.

There have been many musical happenings, since the last article, however before we get into that, we have some “homework” to get into.

First up: April ChaseIn the Midst of Sirens & Still Breathing.




I first found out about April Chase when I was looking into website templates on wix.com. Their website was in the “Examples” section. The site was nice, but what really grabbed me was the sound of the band. They have a very fresh and immediate sound. I went to iTunes to download their music, and I was very pleased! This small independent band from San Jose, CA has a very refreshing sound. Reminiscent of early No Doubt, this band rocks and jams enough for you to want to jump around – whether in your own bedroom or a crowded club. Most of the songs are about love and relationships and, although most are on the hurting side of love, the deliveries of all of these offerings carry an uplifting vibration. The sweet juxtaposition of Carina Valdes’ vocals and the raw rocking of the band is a perfect pairing. This is especially so when the sound is toned down on a few of the tracks, where we’re treated to a close listen to Carina’s delicate vocals and the band’s intricate playing. Both of these EPs give a good snap shot of relationships in general… the good and the bad. The key is, each listen always leaves you wanting more… and this is just like love and relationships… as great or dreadful as they can be, we always want more.

Standouts: Turn It Down, Paper Mache, Too Short to Ride, All You Need to Say, Time Won’t Tell, Ones & Twos.

Stevie WonderIsn’t She Lovely.



Ok, there’s not much I can say about this song that hasn’t been said already. I listened to this song after the birth of my daughter and I had an even deeper appreciation for this masterpiece. At least once a month everyone should listen to this song. There is a little girl, big girl, woman, wife, girlfriend, mother in everybody’s life that they can place in their mind’s eye when listening to this. However even beyond that… this song is a praising of the female, period. Listen to it. What would life be without the feminine aspect of life? Or, more to the point look at what life is because of the feminine energy that we experience in life. This song is a celebration of that. So any time you’re looking to appreciate that part of your life, this classic is a great place to start.

Earth, Wind & FireYou.



This is one of the classic group’s best songs. Also, this is one of the unsung masterpieces of the group. From the soft piano beginning, the song paints a portrait of love and a loving relationship. However, beyond that, this song is an account of what happens when a person finds himself in love (or herself). The need of love is deep and essential, like the sun (“you brighten up my day”) and it swells as it proceeds… just as the sound of the song. By the middle and end, the horns are in full effect and it’s no longer the small quiet intimate song it started out as. Now, it’s alive with sound and melody and as catchy as any of their other classics. And then, on another level, this is  an exploration of what happens when one is on a spiritual quest and reaches the enlightenment of understanding how we are connected with the creator (no matter the given title). This is a song of devotion and dedication. On the surface it is written as one between two people, however “you lighten up my way… brighten up my day… change my point of view… now I look at life the way you do…” suggests a connection with something larger and more significant than a physical, personal relationship. This song is a realization of love and its effects, at the deepest levels.

Robert Glasper Experiment – Black Radio.



This is a wonderful album. This has all of the different elements of black radio (as referenced by the title). This is the best of black radio… or what black radio should be. Robert Glasper Experiment is a jazz group, led by Robert Glasper (of course), so the base of the music is jazz. That being said, the feel of each track changes and evolves to reflect different aspects of black music. Afro Blue, one of the first songs, finds Erykah Badu in top form. This is a beautiful, cool, late night R&B quiet storm track that is exemplary of what we should be hearing on the late night magic/kiss 107s around the nation. This is sweet and sensual, without being overly sexual. The same goes for the next song, featuring the vocal talents of the under appreciated Lalah Hathaway. Hathaway gives a heartfelt rendition of Sade’s Cherish the Day. Now, this song is a new standard of the American songbook, from the 20th century and Hathaway’s treatment of it is a testament to this fact. She delicately dips into the song like a warm bath and delivers a version that is hers, while still being homage to the queen of quiet storm. The album then subtly moves from the soft sounds of R&B to thought provoking Hip-Hop.  Always Shine, which features the vocals of Bilal and the verses of Lupe Fiasco, we explore the state of black music’s mission to remind its listeners of their greatness.  All too often this challenge is shied away from, not taken seriously, or simply ignored. Fiasco steps up to the plate, to swing for a home run. Each of the verses is a vivid look of the motivation behind the choices that go into making the music that ultimately serves to program our children.  We can either choose to program them to understand themselves as Stars in the Universe or as consumer/post-slaves in a world that belongs to everyone else.  This song deserves several listens. This is what hip-hop should strive for… this is what should be on the radio. This is how the whole album flows… this is a straight listen; no need for track skipping. There is R&B, Hip-Hop, Jazz, Dance Rhythms and even a rock song re-envisioned (Smells Like Teen Spirit)… everything that we need to reshape Black radio into something more culturally useful.

Stand outs: (well… the whole album… but here’s the tops of the tops and the featured artists) Afro Blue (Erykah Badu), Cherish the Day (Lalah Hathaway), Always Shine (Blilal & Lupe Fiasco), Gonna Be Alright (Ledisi), Ah Yeah (Musiq Soulchild and Chrisette Michele) and Black Radio (Mos Def).

Chuck BrownWe Got This

 

This was one of the last albums by the Go-Go legend, and I was listening to it recently. It’s a fun listen, which center’s around a live performance which is energetic and very smile-provoking. The first five songs are new studio songs, perfectly fit for any dance club. Beyond that, however, this is fell-good music which is perfectly suited for raising your vibration. Laughter and dance are some of the healthiest activities one can participate in, so this is healthy music. By that standard, the healthiest of them all is the song Love, featuring Jill Scott. The sound is classic Go-Go, and Scott’s presence on the track brings a vibrancy that is positively infective.  This is a perfect jump start for the rest of the set, where Brown and his band rips though old classics, whether his or not. This set is pure fun. You’ll find yourself bopping your head, shaking and twisting your waste and hips… and then your feet will get into the action. This is one of those albums that could very well be the antidote to a bad day, if you would just put it on. That’s really one of the primary roles of music in our life, and, as Chuck and Jill remind us, “That’s how it is; that’s how it’s supposed to be.”

Stand outs: All For You, Love, We the People, I’m Your Man, Moody’s Mood for Love, Harlem Nocturne, Chuck Baby.

Take a listen to these songs and albums, and next time we’ll get into a smaller selection.

Until next time, keep listening to the music all around you and explore the music that serves to uplift your life. Thanks for reading and come back for more!

Up next: SADE.

Wednesday, March 21, 2012

Home Work!

Greetings All!

Yes, I know it's been a while (almost a month!)... however, I'm determined not to let this blog slip into the shadowy abyss of neglect of which many first-time blogs die a slow, lonely death. I've had a whirlwind month, that's included moving, almost moving, packing to move again, house hunting, and, by far not in the least, witnessing the birth of another daughter! I've been in a completely different rhythm for writing, so I haven't been bringing you the thoughtful examinations of the music of our lives, and the effects of musical vibration on our psyche, as well as the latest musical developments and appreciations of musical classics. Well... that time is coming to an end. My life is still slightly less-than-stable and in-transition, however I'll be writing shorter articles to keep the process going.

For now, I'm giving you all some homework. These are a few of the songs/albums I've been listening to and enjoying. I've wanted to write about them... and I will. So, the homework is for you to check out these artists and their works...

1.  April Chase - In the Midst of Sirens EP & Still Breathing EP




2.  Stevie Wonder - Isn't She Lovely



3.  Earth, Wind & Fire - You




4.  Robert Glasper Experiment - Black Radio




5.  Chuck Brown - We Got This




These are the next selections I'm going to be posting articles on... and in this order (unless something else comes up to change that). So, sit back and listen to these tracks from our collective soundtrack, and I'll have the next article up in a short while.

Thanks for reading and keep returning, because there's more where that came from!


Wednesday, February 15, 2012

Love, Whitney...


In the recognition of the loss of one of the most significant voices in the expression of love and lovers, I am writing this article... remembering Whitney Houston, who passed on from this existence to the next, on Saturday, February 11, 2012.


This article is about Whitney Houston - The Voice; The Sonic Paintbrush of God, utilized to clearly illustrate our emotions and experiences of love. I'm writing about Whitney's magnificent contribution to the Soundtrack of our Lives. So, if you're interested in reading about her faults, flaws, unwise agreements, or the questionable nature of her death, this is not the blog for you. We will explore her lasting legacy, as an artist, and as, quite possibly, the greatest female voice of the second half of the 20th century. No matter what anyone thought of her, no one could rightfully deny the power, beauty, and clarity of her voice, as well as her supremely capable skill in expressing it to touch the souls of people all around the world... literally.


For this exploration and remembrance of Whitney's music and effects, I will select certain love songs from throughout her career and identify the memories each song connects me with. That is what happens when songs impact us in a way that they become part of our life's soundtrack. When you hear it, you are automatically connected with memories of your own life and experiences, which have been associated with that song. As I chronicle a few of the moments in time that, for me, are now associated with these songs, I invite you to do the same. What memories do these songs bring to your mind?



You Give Good Love. Just barely into my teenage years, I had absolutely no idea what this song was about. It would be much, much, much later when I truly began to appreciate it, however, this song single-handedly  got me interested in the notion of love and provided me with a... feeling... a vibration of how to identify love. Needless to say, it was one of the first songs that carried a personal significance to me... and I'm sure I'm not alone.



Just the Lonely Talking Again. When the second album was released, I was fully in high school and this song takes me back to that time. I was one of the lonely, smart boys, who either stood on the walls and watched other people dance, or just didn't go to the dance, at all. I really was (or, at least I thought at the time) really ready for love... Don't we all think that, around that age? Anyway, I can recall pensive moments alone in my room, thinking about the many girls who were the various objects of my would-be affection. They're names are much more difficult to recall, now, with the effects of time and experience... but I can see them clearly, and when I listen to this song, I can feel the need to have love returned.



Lover For Life. When this came out, I was in college and had actually experienced my first lasting, successful relationship (albeit with the temporary self-life that collegiate romances tend to have). This song, although never released as a single, I always found to be one of the best on the album. It had a prominent appearance on my first mix tape (back when they were still actually mix tapes!)... When I listen to this, I'm transported to dorm rooms and back roads to and from college and off-campus apartments... This, for me, connects me with the earliest conversations of long-lasting relationships... it brings to mind the plans couples make for the rest of their lives. This song is blissful comfort, wrapped into a tight package of less than five minutes.



I Will Always Love You. This is Houston's most famous, signature song. I, like many of the rest of you, have many memories associated with it. This song is timeless... it is, quite simply... perfect (in both execution and intent, as well as impact). However, that having been said, the memory that rises to the top, when I hear this iconic love letter, is much more recent. This song now brings to mind my daughter, who first began to notice, recognize and develop opinions about music and artists with this song. I can remember her asking, from the back seat of the car, for me to play "Whitley" Houston I Will Love You. It still makes me smile, to this day.



Why Does it Hurt So Bad. When this song came out, I was graduating from one college and going to another to start post-graduate studies. Just as with most major life transitions, there were a great many changes that had to be made. This song brings me back to that time, where relationships were closed out, like chapters of a book to which the reader becomes emotionally attached. I remember starting over in a new state and the loneliness of the initial weeks. Knowing that this feeling will pass and going through the passing process are two different things. It reminds me that it's never as bad as you think it is, while it's happening (no matter what "it" is).



I Believe in You and Me. This reminds me... of being newly married. The freshness of true adult love and commitment. I remember this song as if it were a part of my wedding (and, no, it wasn't)... I "discovered" this song some years after it was originally released, due to changes in my personal life and, subsequently, my listening preferences. One day I watched the movie, and was struck by the soundtrack so significantly that I went out to find it. I listened to and studied this song... It is a perpetual wedding march... the capturing of the purity of love and commitment in a sound recording. This reminds me... of newlywed smiles and bright eyes... it reminds me of... leaps of faith taken by young lovers.



My Love Is Your Love. This song reminds me... no... it takes me back to a time when I understood the concept of forever, as it relates to relationships. I remember going through hard times, and having to depend on my wife, and my wife having to depend on me... This song makes me remember the true nature of marriage, being a team effort.



Million Dollar Bill & Worth It. When these songs came out, I was excited to finally hear Whitney again... and I was filled with the exuberance of youth! My wife and I both loved these songs. Million Dollar Bill, reminds me of driving around town, running errands, listening to this song on repeat! After many years, and too many dysfunctional relationships, I actually understood and fully knew how to appreciate love and the celebration of it. Worth It brings to mind the enduring quality of love. "This is for the lovers just gettin' on their feet. This is for the lovers 'bout twenty years deep." These are some of the best lyrics Whitney's sung... experience is a wonderful thing. I can relate to ( and even remember) almost all the lyrics in this song, from a first hand perspective. This song especially makes me remember looking into my wife's eyes and thinking, "yeah... it's worth it." "What's worth it?" you might ask... well if you have to ask, then you're not really ready for the answer...



So, this is not a "Best of Whitney Houston" list, this is just a short sampling of her contribution to the Soundtrack to Life.  Be free to write your own list and maybe even leave a comment or two. Whatever you do, make sure to take the time to listen to, and enjoy, a few songs from one of the greatest voices ever to be given to the world.

Until next time, keep listening and stay tuned.

Sunday, February 12, 2012

The Grammys...



This will be short.

The 54th annual Grammy Awards were quite flat... and shameful... In many ways, it was like witnessing the death of music... killed by the corporate music industry... what with multiple Satanic ceremonies and a general darkness and celebration of a move away from actual talent... well, I'll just say this...

There were only a few bright spots...




The recognition of Whitney Houston's passing. Both in the beginning of the show, as well as Stevie Wonder's shout out and Jennifer Hudson's beautiful rendition of I Will Always Love You (Houston's signature song), the tributes to Whitney were civilized and classic. This is a fitting a touching way to acknowledge the passing of one so dear and important to the world of music (especially on such short notice).



The performance of Bruno Mars (Runaway Baby). This opening performance was really great... no, spectacular! Mars really took the viewer back to music's earlier time period of innocence and real raw talent. His performance was captivating and fun, both vocally and visually... especially when it came to the James Brown break down! It's too bad that it would be the high point of the evening.



Acceptance speech for Best New Artist, Bon Iver. When Justin Vernon came up to accept the award for Best New Artist, he was humble and grateful. He also made statements about the music industry and how it picks and celebrates certain artists. He may not receive the same warm welcome next time, should there be a next time. I also found it interesting that he was the only one who got the music playing, to hurry him up to finish. He had the best remarks.



The performance of Taylor Swift (Mean). Taylor's performance of Mean was a good reproduction of her video for the same song. It was expertly performed and she looked like she was having fun. The best part, perhaps, was the Grammy shout out toward the end of the song, "some day, I'll be singing at the Grammys..." That was fun and light.



The performance of Adele (Rolling in the Deep). This was a stunning vocal performance, with supple emotion. Adele's performance of the song of the year was the third worthy performance of the evening. Everything about it was powerful (if not all that colorful)... it was all about her voice and the emotional release of the song... and it pays off.




The tribute to Glen Campbell, by The Band Perry, Blake Shelton and Campbell himself. This was the final real bright spot of the show. It was still innocent and about the celebration of good music. The music made you feel good, and Campbell's performance was inspired and spirited.It felt like a little party... like a cozy concert. It was one of the few performances that inspired a smile.

That's all for the Grammys... it's time to close that musical chapter and continue living and enjoying the music all around us, that is the soundtrack of life. Until next time, stay tuned and keep listening.

Grammy Countdown...




In the final hours before the next Grammy Awards, my life away from blogging has been pretty full, so I haven't been able to keep up the pace I wanted to. Therefore, I've decided to give a few last minute Grammy picks, before the big show...




Record of the Year:
Firework - Katy Perry. This is a great record... an instant classic.

Album of the Year:
Doo-Wops & Hooligans - Bruno Mars. Despite the insanely idiotic Grenade, this album is filled with a plethora of wonderful music, pulling from all over the musical spectrum. If you haven't listened to it by now... then do yourself a favor and get it! This is the best album of the five, and definitely the most deserving (although some may choose to give it to Adel's 21... I say no, because, although she's talented, she's a bit of a one-trick pony).
Best New Artist:
Bon Iver. This group brings pop music to a whole new level... They brought the symphonic orchestra sound of life to the radio... this brings people just a little closer to nature (even if we can't understand the words in the lead vocals). On the sheer strength of the music's sound, texture and cinematic scope, I pick theses guys (even though they're not really new... but hey, neither was Esperanza Spalding when she won, last year).




Best Pop Vocal Album:
21. I think it should go to Doo-Wops & Hooligans, however since people love Adele so much, and this was the year's top selling album, I think she'll get the prize for this one. And, after all... her strength is her vocals... The album plays like one long song... so if you love it, you love it! ... and if not... well you can get lost... but everyone agrees... the girl's got a tremendous voice.

Best R&B Song:
Fool for You - Cee Lo Green ft. Melanie Fiona. This song is spectacular, and although I think Betty Wright will get the award  for  Best Traditional R&B Performance, I think this song is the strongest in the running.



Best R&B Album:
Second Chance - El DeBarge. This is a close one, because R. Kelly's Love Letter  is one of his best efforts and is certainly worthy of the award. However, El wins in the close photo-finish technicality points, because Second Chance is a non-stop, listen all the way through album; where Love Letter falls flat on the one song about "making love in a taxi cab" (oh, please...). Those were critical points. And plus, who can ignore the back story for Second Chance? El DeBarge is a national treasure, who has returned in true classic style, with a civilized charm and a voice at the top of his game.




Best Country Song:
Mean - Taylor Swift. I don't think she'll get the best performance nod, however this is the best song. She does deserve it.


Well, that's it, for now... let's watch tonight and see if the judges get it right!

See you on the flip side! Until then keep on watching and listening for the soundtrack to our lives...

PS... next I'll recap the Grammys and we'll remember the incomparable Whitney Houston.

Best Remixed Recording, Non-Classical





As we wind down and get closer to the 54th Annual Grammy Awards, let's take a look at a category that's a little less popular. A little off the beaten path, if you will. The next topic is Best Remixed Recording, Non-Classical. This particular has been in existence in its current incarnation since 2002. Prior to that, the award was for Remixer of the Year. Since the name change, the award is given for specific tracks and awarded to the remixing producer. The purpose is to recognize the abilities of the producer (or production team) to take an existing song and alter it, adding, subtracting, multiplying and/or dividing elements of it which were either previously under-emphasized or completely absent, thus re-mixing the song into a new piece of auditory artwork. 

Remixing is generally accepted to be a tool of dance club DJs. For as many different types of nightclubs as one can point out, there are just as many types of remixes. This year, all five of the nominated songs are straight from the world of Electronica (albeit from different countries within said world). All of them are danceable head-bobbers, however which will cut the mustard? Let's see...




Cinema (Skillex Remix), by Benny Benassi - remixed by Sonny Moore. This song is like getting two songs in one. It starts off like a typical electronica style club song, with light vocals only for effect... then the quick break down... then dub step comes in. For those of you who may not know, dub step is a relatively new sub-genre of electronica... it's a most unusual and purposefully ugly style of music (if you want to call it that). What is the appeal of it? I can only say that it makes the listener more highly aware of the crazy world through which they navigate on a daily basis. This world is crazy, and this type of musical expression seeks to connect one with that insanity, rather than elevate one to a higher vibration, in order to better the world in which one lives. So how does this song sound? Well, it splits the difference, between a catchy club/love song and a mainframe computer throwing up, because of some massive internal deadly computer virus (not pleasant). Key Lyrics: not really any. The lyrics that are present prove not to be key, because of the rest of the "song"... Song in One Word: disturbing. Pick: No. no.... please, no! It's a "silent" nod to the underground culture of dub step, however it can stay underground.




Collide (Afrojack Remix), by Leona Lewis - remixed by Afrojack. This song is great. It's a smooth club song, in the first place, as Leona Lewis is looking to move into the dance music scene with her next album. The remix extends and adds new elements to the song that causes it to be a new adventure and, in effect makes the music share the front stage with Lewis. She takes turns in the spot light with Afrojack's musical soundscape, and it's a pleasantly balanced duet. The listener can hear elements of the original song, along with Afrojack's technicolor vision of it... and we still get to hear a few vocal solos from Leona. Key Lyrics: "When you're in unfamiliar places, count on me through life's changes." (Indeed.) Song in One Word: colorful. Pick: It's a worthy nomination, but Afrojack will have to wait another year for his shot.




End of Line (Photek Remix), by Daft Punk - remixed by Photek. This song is massively dark... and groovy. This is the perfect sound for driving, or as background music to some serious underground gathering of ill intent... it's perfect for a movie soundtrack... hey! That's what this is! Daft Punk created a score like none other, which was an appropriate fit for the movie, as well as the musical environment into which the movie was released. In order to kick it up a notch, Daft Punk invited along some of the top remixers and producers in their field to come join in on the fun, by remixing the whole soundtrack, giving it another layer of other-worldliness. The only problem with this, if you could call it that, is that is just doesn't change the song very drastically. There are definitely more beeps and twirps than before, however the overall song really remains the same. No disrespect to Photek... it's just that Daft Punk really came up with such a stunning portrait of the digital unseen world that it's hard to get past it. Key Lyrics: None. Don't need any. Song in One Word: marauding. Pick: No, not this time. 




Only Girl (in the World) (Rosabel's Only Club Edit in the World), by Rihanna - remixed by Abel Aguilera & Ralphi Rosario. Now this is a remix. It's strong and muscular. It's more than double in length (not that it's a prerequisite... it's just nice). Aguilera and Rosario give this massively popular song an overhaul that makes it a new composition, while still keeping the vocals of Rihanna up front. Instead of the vocals being simply a means to an end (and completely disposable), the Rosabel remix makes the vocals the centerpiece, and elongates the musical ballet of dance beats and synths in between the verses and choruses. In addition, the music adds intensity to Rihanna's vocals. The pounding beats work well with her pleading hook... then we drift into an etheric break down, before bouncing back into a full swing of ecstatic club merriment. Key Lyrics: "... make me last all night... last all night... last all night... last all night..." (yes, gladly.) Song in One Word: magnetic. Pick: This is a toss-up, with Rope (Deadmau5 Mix). Odds are, Aguilera & Rosario will pull it off and walk away for the award, however...




Rope (Deadmau5 Mix), by Foo Fighters - remixed by Deadmau5. This is another strong muscular club banger. Deadmau5 further extends his legendary status. Although he can be known for going too far out there for some people, at times, this remix is totally accessible. Of all the songs nominated, this one is the most drastically reworked... and it works... even better than the original recording. This is an unapologetic rock song, that has been turned into an unapologizing, trunk thumping, beast of a party song. Although not much longer than it's original version, the Deadmau5 Mix is completely DJ friendly version, which enables the DJ to make it as long as necessary. This song sounds like a party at 2:24 am... and it's just getting started. Key Lyrics: "How can this come over me? I thought I was above it all." (no one is above the remix!) Song in One Word: massive. Pick: I would say this will be a tie, between the Rosabel remix of Only Girl(in the World) and this song... however... I think Deadmau5 takes this prize home, in the end. The edge out will be the vast sonic reworking of the song from its original form into the new remixed offering. (It may go the other way around, but I don't think so.)

You can take a listen to these songs for yourself, while you wait to check out the Grammys. Until then, keep reading and stay tuned.





Friday, February 10, 2012

Best Country Solo Performance



Alright, back to the Grammys. Before Sunday gets here I want to get in a couple more categories. For right now, we're going to look at the Best Country Solo Performance. Five performances with a good amount of variance between artists and songs. This category is another amalgamation of existing categories, which have been combined in the effort to shrink the overall number of categories. Both Best Male & Female Country Vocal Performance, as well as Best Country Instrumental Performance, were combined to make this category. Again, as you'll see, the instrumental songs get the shaft.

We have five artists nominated for this award - three females, two males...  One is a super-duper star, two are talent show affiliated, one is old school country, and one is having an identity crisis. Let's take a look...




Dirt Road Anthem - Jason Aldean. This song is interesting... it was on the honorable mention list for the Top Ten Moronic Songs of 2011 (previous post). It seems Jason doesn't really know what he want's to do or who he want's to be. First he's "chillin'" on the dirt road, then he busts out into a country boy rap that's as terrible as anything should ever be, with major corporate backing. What could be a good song with a relaxing melody, turns into a shameful debacle... and he doesn't even have any compelling rap lyrics! Key Lyrics: "... watch out for the boys in blue... better watch yer mouth, before I come knock that loud mouth out..." (what's with the country/ghetto tough talk?) "we like corn bread and biscuits, and if it's broke 'round here, we fix it..." (That's the point were I had enough...) Song in One Word: confused. Pick: No. It's bad enough that it was nominated (and thus giving a nod of recognition to the merger of these two distinctive expressions), however it won't win. Not only is it not the best song, it's not even a good song.




I'm Gonna Love You Through It - Martina McBride. This is a sweet song. This inspirational number is centered around cancer and its effects on the family, however, in spite of the well crafted story, the song slips into the universal realm of all inspirational songs. It could be dedicated from anyone to someone who is going through a rough time and needs assistance. That's the genius of the song and the heartfelt performance of Martina. The story of cancer comes in secondary to the notion that someone will "love you through" the rough times. Key Lyrics: "When this road get's too long, I'll be the rock you lean on. Just take my hand. Together we can do it. I'm gonna love you through it." Song in One Word: warm. Pick: Not strong enough. It's a great performance, however it's just not sticky enough.... 




Honey Bee - Blake Shelton. This is pure "Grade A", radio friendly,  pop-country. Blake's use of various aspects of nature's balance of hard and soft, perfectly allow for the lyrics to relate to anyone listening. This is a universal subject... a simple love song. Blake delivers the song with a full helping of down-home country, while the song's construction is pure pop, hit-maker, formula driven. It could have back fired... but it didn't. It works, and works well! Key Lyrics: "I could've said I love you; could've wrote you a line or two, Baby all I know to do is speak right from the heart."  Song in One Word: pleasant. Pick: This is where it get's thick. This is strong enough to win. It sticks in your head way after it goes off (stickiness)... It could win, and that would be a good fit... however, I think he's going to be fighting over second place, this time.




Mean - Taylor Swift. This is the underdog song... the country underdog song... no, this is universal wisdom, wrapped up in a cute little country song. This song is strong. I'd say this is the best song of the bunch... The soundscape is alive with all the sounds of acoustic country music... while, at the same time, it's polished and beefed up like a modern pop song. This is a perfect merger of pop and country. If it suffers from anything, it's Taylor's laid back delivery. She's comfortable and very believable as the main character in the song, however as far as vocal performances go, it doesn't top the pack. Key Lyrics: "Some day I'll be livin' in a big ol' city, and all you're ever gonna be is mean... all you are is mean and a liar, and pathetic and alone in life, and mean and mean and mean..." (you gotta love it!) Song in One Word: courageous. Pick: She's fightin' it out with Carrie and Blake. After the smoke settles, the country-pop princess will still be sitting in her seat, clapping for someone else. (I will admit there is a possibility that she'll squeak past with a win... but I don't think so.)




Mama's Song - Carrie Underwood. This song starts off like a quiet Sting song, before hitting its stride, at the hook. Then the song pulls you in and carries you out into the sea wedding bell bliss. This song is the phone call every parent (mother or father) want's to receive from their daughter. This song, propelled by Underwood's genuine tones and crystal clear vocals, sticks to the brain like a great dream... even when you wake up... and long after you forget the specifics... you still feel good for the rest of the day. This song is uplifting in every way... and sonically, the subtle strings in the background take it over the top. Key Lyrics: "... I think I found the answer to your prayers... and he is good, so good... he makes promises he keeps, no he's never going to leave, so don't you worry about me..." Song in One Word: touching. Pick: After all the smoke settles down... the former American Idol will fix her hair, straighten her dress, and walk right up those stairs to receive her award. This song's crafting is certainly of superior stock, however what makes it shine and gives it the life that it deserves is Carrie's delivery. This is the country solo performance of the year.


So, we'll see if the judges at the National Academy of Recording Arts and Sciences do the right thing...

Until then, take a look at the videos from these songs, and we'll meet again to look at more music.